i’ll post images and texts of individual works, but first, my curatorial statement. What I’ve Learned So Far I believe that art must surprise and charm, be so beautiful, so mesmerizing, so technically… Continue reading
patricia piccinini’s work is often not easy to look at, but it affects us profoundly. it is grotesque, shocking and disturbing at the same time that it’s poetic, tender, compassionate and beautiful. … Continue reading
i finally finished the curatorial statement for our show… here it is: People have always interpreted their environment by measuring themselves against it. The oldest units of measure were based on the body:… Continue reading
about the installation of his exhibition garden variety… dianne dec: The installation has gone through a number of changes since you’ve been here – what are you most surprised about? tim hawkinson: I… Continue reading
at hosfelt gallery, with julian cox and veronica roberts, moderated by todd hosfelt: Todd Hosfelt: Thank you all for coming. We are so lucky to have two really smart and insightful people… Continue reading
here’s a bit about my curatorial vision for the show: When i began considering an exhibition of pairs of related works by Jay DeFeo – twins, if you will – I thought… Continue reading
http://www.vulture.com/2015/04/jerry-saltz-on-new-whitney-museum.html (notice jay defeo’s the rose in the background) the drawing and photo of the new renzo piano-designed building came from the whitney musuem’s website (http://whitney.org/). the drawing is courtesy of renzo… Continue reading
and working like crazy on what will be a spectacular installation… opening here on saturday.
the dust has settled on what was our best art fair ever. here’s a look at our booth: one of emil lukas’ “larvae” paintings (made using fly larvae to drag pigment… Continue reading
is a show i’ve curated about assemblage and collage. in art vernacular, an assemblage (pronounced a-ˌsäm-ˈbläj) or collage is made by putting together preexisting things that weren’t intended to go together and usually… Continue reading
in preparation for his first solo show at hosfelt gallery. visiting wiley’s studio is like going into a dark room after being in bright sunlight — your eyes need to adjust to the… Continue reading
while our new space is gorgeous, a gallery is only as good as the art in it… an inaugural show is the benchmark, setting your audiences’ expectations. we couldn’t open with a solo… Continue reading
it was going to take an extraordinary space to replace our beautiful clementina street gallery, but that building was to be demolished to make way for a condo development and we were ready… Continue reading
this e-mail dialogue with luka fineisen took place over many weeks as we prepared for her solo exhibition in our new york gallery. i’ve spared you the construction and shipping logistics… TH: … Continue reading
i opened hosfelt gallery in october 1996 – 15 years ago. today is the last day in our clementina street gallery in san francisco. we’ve been here for 13 years. feeling a… Continue reading
a full-scale 1969 ford mustang – made of watercolor paper – in the new york gallery. as a kid, the artist restored three vintage cars with his father. the last one, a 1969… Continue reading
something like a long-distance, digital studio visit… Todd Hosfelt: the process in which you work is related to print making, but seems to me to be unique in painting, would you explain it?… Continue reading
